|John Lennon as Adolf Hitler.|
The sketch was created while Lennon was attending the Liverpool College of Art in the late 1950s, and shows Lennon on a podium with his hand raised in a Nazi salute and the words "Heil John" repeated several times, with the implication they are being chanted by a crowd.
There are several known self-portraits taken from Lennon’s personal sketchbook which appear to depict the musician with an appearance imitating Hitler’s and accompanied by Nazi iconography.
|Another page from John Lennon's sketch book.|
Of course, John Lennon's fascination with Hitler didn't end there. When the Beatles were playing in Hamburg, at the Indra Club and the Kaiserkeller in 1960, the Top Ten Club in 1961 and at the Star Club in 1962, Lennon entertained the audience, sometimes with nazi references - usually mocking them. Of course, one must remember that in 1960, World War 2 was just 15 years behind them, and all adults in Europe vividly remembered the war years. For young kids like John Lennon and his friends, who were all born during the war, not much was remembered. Still, the horrors of the war was in the collective mind of everyone, and often spoken about and referenced. Lennon and his generation grew up in a badly damaged Liverpool, where the bomb sites were used as children's playgrounds. Everywhere there were people with missing limbs, survivors of the horrors of war.
For Lennon, as for most of us, it's hard to fathom that so many people let themselves be lead by such a terrible person as Adolf Hitler, and that they had it in them to commit all those crimes against other people, and humanity. And I believe that it's there the fascination lies.
In John's first book of absurd writings, "In His Own Write", he starts his introduction "About the awful" with: "I was bored on the 9th of Octover 1940 when, I believe, the Nasties were still booming us led by Madolf Heatlump (who only had one)."
When the Beatles came to Australia, they were greeted by public receptions unlike any of the other places they visited. Of course, the sight of such a massive audience brought their minds to their only previous recollection of huge crowds like this, Hitler's rallies, which they no doubt had seen in documentary films about World War 2. Their response was just a gut reaction.
|Reacting to the crowd in Melbourne, 1964.|
|Hitler rally in Dortmund, Germany,1933|
|The Melbourne public reception, 1964.|
The next reference Lennon made to Adolf Hitler was when he jotted down the name as someone he wanted to include on the cover of The Beatles' album, "Sgt. Pepper's Lonely Hearts Club Band" in 1967.
|Hitler just behind the drum. Had he remained in place, he would have been covered by the Beatles.|
|Hitler behind the door.|
In 2007, Sir Peter Blake – who co-created the cover - told The Independent that Hitler did actually make the final line-up, but is simply obscured by the Beatles themselves. "Yes he is on there – you just can’t see him," Blake insisted. He added: "If you look at photographs of the out-takes, you can see the Hitler image in the studio. With the crowd behind there was an element of chance about who you can and cannot see, and we weren’t quite sure who would be covered in the final shot. Hitler was in fact covered up behind the band." As you can see from the photos above, Blake had it wrong, and Hitler was removed from the lineup after The Beatles had changed into their costumes.
And I do believe that this is the end of the story, as far as John Lennon's Hitler fascination is concerned. But in 1990, a biography about George Harrison painted the ex-Beatle as a devotee of Adolf Hitler and Nazism. Extracts from the book was published in the British tabloid "The Sun" and in the U.S.A. in the supermarket tabloid The Globe.
George sued for damage, wanting to clear his name. "George is very much in favor of the lawsuit. He deplores everything Hitler stood for and can't imagine anything worse they could have said about him than to say he was a Nazi sympathizer," his lawyer Bert Fields said.
The book in question was Geoffrey Giuliano's "Dark Horse" from 1990. Here's an extract:
"Perhaps one of the most bizarre aspects of George's personality is the fascination he shares with friends Derek Taylor and "Legs" Larry Smith regarding Adolf Hitler. Harrison and his pals are not Nazi sympathizers, but they still find something undeniably fascinating about the Fuhrer. "It's just that they appreciate the unparalleled degree of his absolute madness," says a friend."
"Such tidy rationalizations fall short of explaining why Harrison keeps so many photos of Hitler around his house. Allegedly, he even displays a huge German swastika at times. Although Hitler borrowed the symbol of eternal life from Harrison's beloved Hindus, it is still difficult to imagine just how the normally peace-loving ex-Beatle justifies his attraction to such evil."
Giuliano then goes on to pin the origins of George's "sick fantasy" on Derek Taylor and Larry Smith. And perhaps he is right, because George himself wrote about Derek's Hitler fascination in his foreword to Taylor's autobiographic "Fifty Years Adrift": "Thanks to him, I do now know a lot more about the Royal Family and Hitler".
|George Harrison's foreword to Derek taylor's "Fifty years adrift" book.|
In Graeme Thomson's George Harrison biography, "Behind The Locked Door", the author mentions that there used to be swastikas all over Friar Park, but they were mostly taken down after the war. Apparently you could still see remnants of some of them afterwards.
In December, 1992, it was announced that the Globe had agreed to pay George a settlement for libel. The tabloid had published an article in 1991, titled "Beatle George is a Big Nazi Fan." It was reported that The Globe had misinterpreted Geoffrey Giuliano's "Dark Horse," which said that George collected Nazi memorabilia while pointing out that George hates Hitler.
Giuliano testified on George's behalf during the trial. After the case was settled, the Globe sued Geoffrey Giuliano for $400,000 and won.